On view

Haris Epaminonda, Untitled #08 c/m, 2025, Wall with window and shelf, 17 framed found book pages and drawings, gold gilded sphere, silver gilded wooden sheet with black lacquer, Dimensions Variable

Haris Epaminonda, Untitled #08 c/m, 2025, Wall with window and shelf, 17 framed found book pages and drawings, gold gilded sphere, silver gilded wooden sheet with black lacquer, Dimensions Variable

Ian Law, untitled [detail], 2024/2025, oil on linen, 35.6 x 20.3 x 1.6 cm

Ian Law, untitled [detail], 2024/2025, oil on linen, 35.6 x 20.3 x 1.6 cm

Home
Installation view, The Sunken Boat: A glimpse into past histories, Turner Contemporary, Margate, 2025

Installation view, The Sunken Boat: A glimpse into past histories, Turner Contemporary, Margate, 2025

– Thierry Bal
Home
Installation view, Banu Cennetoğlu, BEING SAFE IS SCARY, Kunsthal Charlottenborg, Copenhagen, 2025

Installation view, Banu Cennetoğlu, BEING SAFE IS SCARY, Kunsthal Charlottenborg, Copenhagen, 2025

– Photography: David Stjernholm
Home
Installation view, Tamara Henderson, Helsinki Biennial 2025, Shelter: Below and Beyond, Becoming and Belonging, HAM Helsinki Art Museum, Helsinki, 2025

Installation view, Tamara Henderson, Helsinki Biennial 2025, Shelter: Below and Beyond, Becoming and Belonging, HAM Helsinki Art Museum, Helsinki, 2025

Installation view, Iman Issa, A Game, or So You May Think, Art Institute of Chicago, Chicago, 2025

Installation view, Iman Issa, A Game, or So You May Think, Art Institute of Chicago, Chicago, 2025

– Juan Molina Hernàndez
Installation view, Tamara Henderson, Spider with the Glass Legs, Warrnambool Art Gallery, Warrnambool, 2025

Installation view, Tamara Henderson, Spider with the Glass Legs, Warrnambool Art Gallery, Warrnambool, 2025